NO GRAY AREA
COLLAGE ON PLEXIGLASS: magazine
4’ X 4’
The black and white color references the polarity of positive and negative. Morphing and melding into itself, with overlapping monochromatic geometric shapes and intersecting forms, this work uses trompe l’oeil collage techniques to reassemble parts of typography and structure into pure abstraction. A visual architecture is patterned by transforming objects and verbal language, while balancing weight and mass, with great attention to detail.